Lunchtime
was approaching on a particularly rainy day, but with the promise of a pleasant
meal around the table. Expectations were high, as we were scheduled to meet
Fernando Melo. Fortunately, our expectations proved to be true. A good meal is
worth very little if the company isn’t good, but with Fernando Melo, in a
sincere exchange of ideas and stories, the food and wine, which were already
excellent, tasted even better.
The
chosen venue was the Horta dos Brunos restaurant in Lisbon. A warm and
extremely courteous welcome. Fernando had warned us: «I don’t talk about
gastronomy or oenology. I only know how to talk about food and wine.»
And indeed, he does. But we’ll come to that in a moment, because now we’re
interested in talking about the person behind this well-known figure.
Talking
about his childhood, he tells us that he spent his first seven years in
amazement: «Everything was new, everything seemed distant and nothing seemed
like me.» He was always the best student, used to excelling at
everything, but isolated, until he discovered a sense of discontent in the
turmoil of an invigorating youth, where he decided to reinvent himself.
Born in
Oporto, he moved to Lisbon with his family while still young. Used to spending
long periods of time at the house of an uncle who lived in Évora and was an
engineer, it was there that he was inspired to pursue engineering. A degree in
technical engineering followed, but he switched to physics. He thought about
dropping out to escape the drudgery of the course at the time, until a
professor urged him to join a new course, where he was very happy, because he
felt «at ease with the experience»,
particularly because of how demanding it was. And he fell in love with it, more
out of a desire to do something different than out of vanity. Along the way,
the desire to become a Jesuit came up. It wasn’t an obvious calling, but it
seemed structural at a time when the inevitability of life had left him feeling
directionless. However, his plans took a different direction and the desire to
be a father proved stronger. He clung to the strength of his heart and today he
is the father of «three marvellous children».
He
embarked on a PhD – which he never completed – worked on formal methods, in description
language and in remote detection applications, with satellite images and air photography.
But he started questioning whether this was really the life he wanted to
pursue. He then realised that he had a somewhat extraordinary knack for tasting
wine. That’s when he began the adventure of going to all kinds of high-profile
technical spaces in all the countries he travelled through, to the point of
filling suitcases with tasting glasses. He thought: «My life is changing»,
and it changed entirely. He defended his doctoral thesis and said goodbye to
that life as if he’d never had it. His father asked him: «But do you feel a
sense of fulfilment in what you’re doing,»
and Fernando replied: «Dad, what I’m doing today is by far the most complex
task of my entire life, I’ve applied myself completely to doing it.»
And that’s how it is. For Fernando, «the
simple critique of a wine is an intellectual exercise; people have the habit of
categorising what is more difficult and what isn’t.»
But for him, it’s simple: «Basically, I stay calm, because wine tasting is
about creating knowledge, it’s a beautiful exercise, it’s liberating and it’s
grounding at the same time.»
Meanwhile,
he started receiving professional invitations, along with the company he owned.
Along the way, he suffered a case of hydrocephalus and yet another new lease of
life. From then on, Fernando Melo was never the same and dedicated himself to
an art that he explains as «looking at all the bottles, at a menu, and
recognising a code», becoming an expert in opening that code.
Around the table with Fernando Melo
But the
entire experience goes far beyond that: in terms of what he observes first when
he enters a restaurant, he tells us peremptorily that it’s the people who greet
him. It’s them and everything that revolves around them that determine how you
feel when you review a restaurant and/or food. Critiquing a wine, on the other
hand, is a solo, secret and individual exercise that requires concentration: «There’s
a process of compilation, lots of coordinates. Suddenly, I have to have a
sensory, olfactory and tasting notion that puts me in that place. In restaurant
reviewing, on the other hand, there’s a very emancipating involvement. The
image I have is of a growing path, a cascade of knowledge and people. I don’t
think I’ll ever be a great restaurant critic, that’s not what they tell me, but
when I get to the sacramental moment of writing, I have many doubts, whereas in
wine I have none.»
On the subject of the art of
appreciating wine, we wanted to delve deeper and understand whether economic
interests tend to influence the review. Fernando tells us that «there is always
room for impartial critique. But critique is a literary/linguistic exercise and
therefore critique can be criticised.»
Regarding the possibility that influencers are squeezing journalists out of
their space, Fernando is honest: «I’d like to say no, but I can’t. That’s
because journalism is in dire straits. Poorly paid, poorly trained and, above
all, a frightening cultural deficit,» but he
believes that «educated and well-prepared influencers are rare».
However, he is positive about the future of media. He loves what he does and
suffers from all that this entails. He gets upset, but goes to great lengths to
confirm a point. He also sees this attribute in his peers and therefore
believes in «self-regulation and the tendency of every
intellectually orientated human being towards quality.»
With regard to wine competitions and tastings, his position is resolute: «I am
a conscientious objector to these buzzwords - the best, the worst, etc - and I
myself am a judge in national and international competitions. I never accept or
use results in wine competitions. I trust my own judgement and I’m happy with
that.» Finally, Fernando has a message for organisations
associated with wine: «Wine needs to be cherished more. Portugal has
responsibilities that it cannot shirk.»
For those who also enjoy a fine meal, if you’d like some à la carte
recommendations, here are a few suggestions of the dishes that Feranando Melo
remembers most: frog legs with tomatoes by chef António Nobre, turnip roots
with grapefruit by chef Alain Passard and ray stew by chef Vincent Farges; as
well as those he never declines: lamb stew, purslane soup and boiled fish head.
There’s also time to reveal a dream yet to come true - to try chef Michel Trama’s
foie gras burger. Beyond that, only the luxuries he favours in life, such as
silence, cooking chicken his way and having the perfect company to share
everything with.
And because a table is not only made of food and wine, but also of
people, we wanted to know what he finds fascinating in others. «I see my own
salvation in them. I can’t save myself without others. There’s a famous writer
who says: "There comes a day when we wake up and look in the mirror and we are no
longer ourselves, we are someone else scrutinising us” and I like that. And
that’s the moment I’m living in now, that’s what I’m currently stunned by.»
This is Fernando Melo, who has dazzled us with his beauty and wisdom and enchanted us with his life story. If he could
define himself as a wine, he tells us that it would perhaps be a Barolo(Piedmont, Italy) older than ten
years. His favourite, because he sees himself in it, is a Luciano Sandrone Cannubi Boschis.For us,
Fernando Melo is, and always will be, the perfect companion around the table.