«The architect’s imaginingsare made up of spatial memories,»João de Sousa Rodolfo, founder of the TraçadoRegulador studio, tells us, aware that this is the beginning of a lengthy conversation. From the house in the Algarve in which he was born, he has hung on to the courtyard, the relationship between the interior spaces and the roof terrace. And, in fact, his memory library – as he calls it – is the resource he uses to recreate, add to or combine in an original way, along with his experiences and critical eye.
Soltroia: a spatial intrigue
Project designed by Traçado Regulador
João encourages us to ask the first question. «Is a house,in the end, created from the inside out or from the outside in?», to which he replies: «in both directions.» The conversation inevitably moves towards sustainability, from the perspective of nature within the framework of architecture. The topic is dominated by João de Sousa Rodolfo, who argues that architecture tends to evolve when it goes hand in hand with nature, even though it can lead to greater requirements in the design procedure. We raised the question of designing a house by the sea, which he assures us is a challenging process. «The protection of coastlines makes it increasingly difficult to find a site of this kind,» he explains. In fact, the TraçadoRegulador studio has had a great deal of experience in building seafront dreams over its 25 years in existence. These are difficult processes, but they pay off in the end, he says. And that’s when the name Soltroia comes up, the recent detached residential property developed by TraçadoRegulador, which João is keen to show us. Located in Troia, it impressed with its contemporary architecture, simple volumes, ample glazing and multiple shading and transparencies that make it an integral part of the landscape. «Visual dilution», he summarises, looking at it in its simplicity and white palette, with no apparent imperfections. The horizontality connecting the house to the land is harmonious, while the eye always seems to stray to the outside. There is a genuine spatial intrigue to be found in the voids into which the mind seems to enter in search of more. You don’t need to know anything about architecture to contemplate it, as it presents itself with scenarios that are conducive to life. By way of an aside, the architect tells us: «There are aesthetic factors that I do unconsciously.» What is certain is that the practical functions seem to be camouflaged within the visual functions and that the psychology of the space has been explored in detail, confirmed by the noticeable openings, important for avoiding spaces of conflict – problems that the pandemic has brought to light in the functioning of a home.
Scenarios conducive to living